And Matisse decided to look at Oriental women in his own way and in his own style. This allowed him to find his niche and the necessary balance between decorativeness and expressiveness. Matisse does not think too much about the inner feelings of his odalisques, for him they are just an object.

Michelangelo was much better than Raphael at depicting muscular and physically fit people. Raphael was impressed by the power, majesty and relaxed poses of the characters in Michelangelo's frescoes.

But an old lady said: "We should put the painting in a darkened room so the light doesn't bother the mermaids." We did so, and, as it turned out, not in vain.....

At the time now, a fully grown up boy still dared to accomplish the feat of walking to the nearest school on his own, and yet his answer shows a rare lack of confidence in success.

The artist Edmund Blair Leighton painted a picture inspired by the beautiful and romantic process of allocade, i.e. knighting. Except that he got the knight's armor a bit mixed up.

The boy was forced to change schools frequently, often did not have time to make friends and was always in the position of a newcomer. Brom's work is quite dark, although interesting. He often writes on behalf of the "bad guy", a negative character, often quite creepy.