One of the most original artists of the XVIII century, whose work combines the aristocratism of neoclassicism and the liveliness of theatrical productions. His destiny is full of ups and downs, meetings with kings and exiles, traveling and searching for inspiration. What was this artist, whose paintings still adorn the largest museums of the world? Let's find out!
Self-portrait as David with the head of Goliath, c. 1756
Johann Zoffany; 13 march 1733 — 11 november 1810 — German painter who became famous in England for his mastery of portraiture. He was an artist who was able to convey the character and inner world of his characters, creating lively, multi-layered scenes. In his works, Zoffany did not simply portray people, but told stories, revealing their personalities through their poses, facial expressions, and surroundings.
A Florentine Fruit Stall (1777)
He was born in Frankfurt am Main to an architect and furniture maker. His mother was from Bohemia and his father had Hungarian blood in his veins. This combination of heredity and cultural influences may have played a role in shaping his artistic vision.
Charles Townley in His Sculpture Gallery (1782)
At the age of 15, Zoffany moved with his family to Regensburg, where he began his studies with the artist Martin Speer. Soon his talent was noticed and he went to Rome to continue his studies with recognized masters. In Italy, he worked in the workshop of Agostino Masucci, a famous representative of the late Baroque, who passed on to his pupil the secrets of composition, working with light and shadow.
Queen Charlotte, c. 1780
Back in Germany, Zoffany married, but family life did not work out. Soon he went to England, where he had a fateful meeting with the actor David Garrick. Garrick was not only a famous theatergoer, but also a man with extensive connections. It was he who introduced the artist to the British elite and eventually to King George III.
George III (1771)
The king liked Zoffany's ability to convey the lively atmosphere and personality of his models. He commissioned several portraits, including the famous depiction of the royal family. Despite his success, however, the artist soon fell into disfavor. He was accused of portraying aristocrats alongside commoners, which was considered unacceptable.
Queen Charlotte with her Two Eldest Sons (1765)
Deprived of royal patronage, Zoffany went to Italy. He was accompanied by his beloved Mary Thomas, who bore him five children. It was not until years later, after the death of his first wife, that he was able to legalize the union.
The Family of Sir William Young (c.1768)
In search of new opportunities, the artist traveled to India, where he spent several years working on portraits of British colonists. His work was a great success among the nobility, but on his return to London in 1789 he found that his fame had faded. Art had changed, new names had emerged, and he himself could no longer compete with the younger artists.
David Garrick in Vanbrugh's Provoked Wife, Theatre Royal, Drury Lane (1763)
He lived his last years in seclusion, enjoying a quiet life. He was buried in St. Anne's Cemetery next to Thomas Gainsborough, another great master of English painting.
The Tribuna of the Uffizi (1772–1778)
Johann Zoffany lived a rich life full of ups and downs. He was an artist who was able to convey the subtleties of human relationships, masterfully combining realism and theatricality in his works. His legacy is not only portraits of kings and aristocrats, but also scenes filled with the lively spirit of the era. Today, his works continue to inspire art lovers and tell the stories of 18th century people through the language of painting.
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