The story of Medea has stood the test of time and has served as the basis for many works of art throughout the ages.
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Передвижники. Как они появились, сколько зарабатывали и почему впоследствии распались несмотря на успех?
Передвижничество продержалось вплоть до 1922 года, за это время было проведено 47 выставок и сложно переоценить вклад этого художественного объединения в развитие русской живописи.
Sincere Soviet muralist Alexander Deyneka and his epic paintings
Deyneka is multifaceted, versatile, sincerely admired youth, enthusiasm, energy and assertiveness, they are felt in almost every one of his paintings. He lived a good life, wrote many excellent paintings and the main thing is that he always believed in what he was doing, as it is impossible to create like this without sincerity.
He was married to a "fallen woman" and was criticized by his friends artist-Peredvizhniks. The controversial Ivan Kramskoi and his marvelous paintings.
Already at the age of 50 Kramskoi looked like a tired, exhausted old man. He began to have serious heart problems, and in order to relieve the pain on the recommendation of the doctors of the time actively used morphine and continued to paint portraits for 5-6 hours a day.
Что в «Чёрном квадрате» Малевича такого особенного из-за чего его признали шедевром живописи?
Работы Малевича были источником вдохновения многих современных художников, архитекторов и дизайнеров одежды. Современная культура была бы иной, не придумай Малевич свой супрематизм и в этом его главная заслуга.
Три советских художника, чьи картины высоко ценят во всём мире
После революции 1917 года в России возникла потребность в новом искусстве, которое бы соответствовало политическим задачам социализма. Потому и мно...
Critics mercilessly criticized Karl Bryullov's painting "The Last Day of Pompeii", what was wrong with it?
Benois, of course, is partly right - everything in the painting is too beautiful and theatrical. But that is the only reason it is beautiful - if Briullov had painted it as it really was, it would not be a work of art that belongs in a museum, but a frame of a documentary chronicle from the scene of the catastrophe. There are many of them now, but hardly any of them evokes feelings other than horror and general negative perception.
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