На среднем находятся стрельцы, сидящие на телегах и наконец, на верхнем — лобное место и зрители на крышах торговых рядов. Тогда они находились на Красной площади, а чтобы лучше рассмотреть все подробности казни мальчишки и молодые мужчины лезли туда, где лучше видно.

в 15 лет зарабатывать как взрослые, рисовать картинки, а не корпеть за партой. Учиться Моне не любил никогда, если только речь не шла о живописи, да и там он предпочитал собственный стиль.

When morning comes, the bishop and the deacon will sober up, go to church and repent of their deed: "the devil got into their heads". The laity will whisper in the corners: "But during Easter week the priest did it", but it will be enough for him to read another sermon - after repentance it will surely be especially sincere and inspiring and they will forgive him

But there were impressionists and in our homeland, they are not as many as we would like, but they left their mark in the art and not small. We will talk about the five best paintings by Russian Impressionists in this article.

the last barge hauler, with his head down, his face is not visible, but it seems that he is trudging along with all his strength. But this is probably not so - the last barge haulers were weak, but experienced, and their task was to make sure that the towline did not catch on the rocks.

But in the paintings of Pukirev and Perov, the humiliated and oppressed are frankly unhappy, while Yaroshenko went further; at this moment, both the man with the moustache and the shaved peasant with the beard and the intellectual who is shy of his arresting hairstyle are smiling and laughing. They are happy for the boy who enjoys feeding the pigeons.

Подобный удар надломил его, он стал жаловаться на боли в сердце, его железное здоровье, несгибаемая воля и вера в людей надломились.

At first, Pukirev’s fate turned out to be the best - the peasant son, thanks to his drawing abilities, entered the Academy of Arts at the age of 16. He did not have to, like Vasily Tropinin, who was a serf by birth, already in the status of a fairly famous artist, serve at the table of his masters.

It is possible to see in this view a challenge to the whole sanctimonious “decent” society of the nineteenth century, in which a woman was given a completely insignificant role, and she must fully comply with all the strict, and not always feasible for a young, life-loving girl, requirements.