Michelangelo was much better than Raphael at depicting muscular and physically fit people. Raphael was impressed by the power, majesty and relaxed poses of the characters in Michelangelo's frescoes.

But an old lady said: "We should put the painting in a darkened room so the light doesn't bother the mermaids." We did so, and, as it turned out, not in vain.....

At the time now, a fully grown up boy still dared to accomplish the feat of walking to the nearest school on his own, and yet his answer shows a rare lack of confidence in success.

The artist Edmund Blair Leighton painted a picture inspired by the beautiful and romantic process of allocade, i.e. knighting. Except that he got the knight's armor a bit mixed up.

The boy was forced to change schools frequently, often did not have time to make friends and was always in the position of a newcomer. Brom's work is quite dark, although interesting. He often writes on behalf of the "bad guy", a negative character, often quite creepy.

Botero has been married three times, and his current spouse Greek sculptor Sofia Vari can well give a head start to many mannequins. In many interviews he tries to prove that he is not obsessed with overweight women.

The toilet was stolen when it was placed in the toilet of Blenheim Palace. At least the gold cube was left behind as further proof that it is better to invest in tangible assets

But gradually the standards changed, and fullness was seen as something morbid, as opposed to a healthy diet and lifestyle. And Mesolithic people valued wide hips and large breasts - the main signs that a woman could give birth to and nurture healthy children.

Have concepts changed so much, and do sculptors now show the beautiful and the good through gross anatomy? At some point, "ordinary" art no longer evokes any special feelings and emotions. There is too much monotonous beauty...