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Принцесса Тисул
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Принцесса Тисул
#22996
Картины, Холст, Символизм
Размер:
70 х 50 (см)
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Год создания:
2024
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4 500 000 ₽
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Другие работы Carlos

Описание

History: The story of the so-called Princess Tisul has raised concerns in many fields of human knowledge for years, giving rise to more questions than answers.
Half a century ago a sarcophagus was found at a depth of 70 meters in the Kemerovo region in the village of Rzhavchik, Tisul region.

The story of Princess Tisul's discovery was described in Oleg Kulishkin's article "The 800 Million Year Old Lady", published in the Abakan newspaper "Khakassia" in 2002.

Subsequently, Kulishkin's article, which contained the story of an officer who had served for many years in the secret department of the KGB, was published in the Abakan newspaper Khakassia and in issue 124 of the Zlatoust newspaper Arkaim.

According to the colonel in the early autumn of 1969 an incredible event took place in the village of Rzhavchik, Tisulsky district, Kemerovo region: In a coal mine at a depth of about 70 meters, a miner named Karnaukhov stumbled upon a sarcophagus of marble with a length of 2 meters.

The interior of the sarcophagus was filled to the brim with a pinkish-blue crystalline liquid, into which was immersed the body of a tall, slender, extraordinarily beautiful woman, who appeared to be about thirty years old, with delicate European features and large, wide-open blue eyes. , her thick blonde hair reached to her waist.

They tried to lift the sarcophagus onto the helicopter, but given its weight they could not find a way to do it. To lighten it, they decided to pump the liquid it contained.

As there were many people witnessing the discovery, State Security agents began to disperse the spectators, saying that the sarcophagus and the body it contained could be dangerous to health.

They warned all the witnesses that they could not talk about what they had seen, that is what they did, even after more than 50 years, the witnesses do not want to talk about the subject.

The sarcophagus was taken to Novosibirsk for research, a few days later a scientist from Novosibirsk arrived in the village of Rzhavchik and gave a lecture about the discovery made in the mine.

The professor explained that the sarcophagus with the woman's body was originally in a wooden crypt in the middle of the forest.

An article soon appeared in the local newspaper about the mysterious discovery, a few days later the militia agents went through all the yards of the village asking the neighbors to hand over the newspaper with this news.

One of the town's residents wrote a letter to the Party Central Committee demanding publicity, however the authorities remained silent and the mine was simply covered with earth.

This is a artistic version of the legend by Carlos Paredes Colin
Acrylic on canvas 70 x 50 cm

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Artist, Writer, Restorer of ancient statues and Creator of the movement called "Gor-Science and Realism", with 30 years of experience in the world of Arts.


A talented artist from Puerto Montt with 30 years of experience, invites us to explore his creative universe through his works.

Throughout his prolific career, Carlos has developed a unique style that reflects his deep love of the unknown in the world such as frequencies, hybrids and archons.

In this exhibition, visitors will be able to immerse themselves in the intimate world of the artist, where his brushstrokes give life to evocative landscapes, portraits full of emotion and scenes that capture the essence of his environment.

Each work is a testament to his ability to transform the unseen into our reality, offering a window to the visions that are born and flourish in his workshop.

These works are not only a celebration of his technical mastery, but also a reflection of his personal journey as a creator, offering a rich and immersive visual experience.


What is Gor-Science and Realism and her concept?

This language is a language that he says is spoken by the ancient demigods and the first 13 prophets of the great Architecture that he calls Arosnic Architecture, one could say that he has it in his vocabulary as a dead language, one of those languages that today Nobody can translate them and in fact when reading their language and seeing their manuscripts you feel that you go back to times before the time we know, in the same way in their writings in Spanish they talk to us about fractal times where the numerical reason is not a reason of existence but rather it is a reason of quantum emotional thought where the soul of a living or dead being only travels through the reason of that bearer of its ancient voice.

By seeing his manuscripts on Gor with Acrosnica symbolism we can see glimpses of past times where the entities of primary thought walked near the Sun of the occultists who invaded the fractal worlds of the first children of Ophtalanif called by him as the first prophet of quantum time.

The 5th evolution is a genetic-spiritual revolution that lies dormant in the blood of humans, every time we are born in this fractal time our spiritual essences meet again with their carno-numeric essences to dance the great dance of allusions called temporary memories.

As lost children of our voices we wander between the vigil of our reason and the opportunity to emigrate within the numeric tables of the ascending Sun of the prophet Oftalanif, perhaps we should go again to encounter the reasons that do not exist outside of animal logic, because They will ask themselves, simply as he says: "Knowing the color of your soul will take you to the plane that your old life has created in fractal reasons"


Carlos has developed and created the musical notes for Gor-Science and Realism:

The Gor spectral language has its sound vibrations that decorate the Cirmayanic language, these musical notes are and belong to the dimension of Acrosnica architecture, therefore their sound value and position in the basic musical compass of the first dimension are not the same in the instruments. of string to generate the sound of the musical notes of the Gor Language.

Likewise, it should be mentioned that these notes belong to and are born in the literary concept called Cirmayanico of the works "Cirmayadad" which are the written testaments of Archons, Prophets, Arcturians, Reptilians, Specters and other spiritual Entities that walk in this first dimension intersecting in the human act through the unconscious and the magnetic poles of the human body.

In the same way we have described what the Gor language is by showing a manuscript of the books "Cirmayadad: The Circus of the Angels" where there are prayers and fragments of this language but it is the book "Cirmayadad: The book of prayers and the kingdom of Acros" where you can read, breathe everything in the Gor language and symbols of the Acrosnica Architecture.

We will take a few words from the introduction of the book of prayers that is written with the Acrosnic symbology which builds a map of Nadonic architecture that is the Base to open the portals to the world of the ancient and eternal ascended sages and unborn souls. On the plane of the first dimension, the energy that feeds the experiment called Humanity transits and lives in these worlds.

We can say that every musical sound opens a portal in the human brain, a conventional and basic note such as: Do, Re, Mi, Fa, Sol, La and Si - They give a sound frequency that can be pleasant, others can generate sadness. and anger, others awaken the strength, passion and all the emotions of a creature of flesh and blood, but the Acrosonic musical notes of the Gor language seek to open psychic portals of photo-electric contact with the planes where the entities mentioned above transit, such as the Arcturians, Reptilians, Acrosonic and Cirmayanic Prophets, Archons and their teachers approaching where the timeless fractional specters live.

To understand these entities you have to read their version of what the Archons and other entities described in the aforementioned books are.

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